Security updates have been issued by AlmaLinux (389-ds-base, ghostscript, grafana, kernel, and osbuild-composer), Debian (intel-microcode, kernel, libphp-adodb, and openssl), Fedora (dotnet8.0, ghostscript, iputils, nbdkit, open-vm-tools, thunderbird, and vyper), Mageia (chromium-browser-stable, glibc, iputils, microcode, nodejs, and zsync), Oracle (.NET 8.0, .NET 9.0, 389-ds-base, avahi, buildah, compat-openssl11, expat, firefox, ghostscript, gimp, git, grafana, gvisor-tap-vsock, libsoup, libxslt, mod_auth_openidc, nginx, nodejs:20, osbuild-composer, podman, skopeo, thunderbird, vim, webkit2gtk3, xdg-utils, xterm, and yelp), Red Hat (kernel, kernel-rt, libsoup, libsoup3, python-tornado, and ruby), Slackware (ffmpeg), SUSE (audiofile, firefox, glibc, govulncheck-vulndb, grafana, kernel, kind, kubo, libecpg6, postgresql13, postgresql14, python-Django, python-setuptools, python-tornado6, python311-Flask, python311-tornado6, python313, python36-setuptools, thunderbird, transfig, and xen), and Ubuntu (glib2.0, linux-bluefield, linux-ibm, linux-raspi, and openjdk-21-crac).
"For decades, Hollywood directors including Stanley Kubrick, James Cameron and Alex Garland have cast AI as a villain that can turn into a killing machine," writes the Los Angeles Times. "Even Steven Spielberg's relatively hopeful A.I.: Artificial Intelligence had a pessimistic edge to its vision of the future."
But now "Google — a leading developer in AI technology — wants to move the cultural conversations away from the technology as seen in The Terminator, 2001: A Space Odyssey and Ex Machina.". So they're funding short films "that portray the technology in a less nightmarish light," produced by Range Media Partners (which represents many writers and actors)
So far, two short films have been greenlit through the project: One, titled "Sweetwater," tells the story of a man who visits his childhood home and discovers a hologram of his dead celebrity mother. Michael Keaton will direct and appear in the film, which was written by his son, Sean Douglas. It is the first project they are working on together. The other, "Lucid," examines a couple who want to escape their suffocating reality and risk everything on a device that allows them to share the same dream....
Google has much riding on convincing consumers that AI can be a force for good, or at least not evil. The hot space is increasingly crowded with startups and established players such as OpenAI, Anthropic, Apple and Facebook parent company Meta. The Google-funded shorts, which are 15 to 20 minutes long, aren't commercials for AI, per se. Rather, Google is looking to fund films that explore the intersection of humanity and technology, said Mira Lane, vice president of technology and society at Google. Google is not pushing their products in the movies, and the films are not made with AI, she added... The company said it wants to fund many more movies, but it does not have a target number. Some of the shorts could eventually become full-length features, Google said....
Negative public perceptions about AI could put tech companies at a disadvantage when such cases go before juries of laypeople. That's one reason why firms are motivated to makeover AI's reputation. "There's an incredible amount of skepticism in the public world about what AI is and what AI will do in the future," said Sean Pak, an intellectual property lawyer at Quinn Emanuel, on a conference panel. "We, as an industry, have to do a better job of communicating the public benefits and explaining in simple, clear language what it is that we're doing and what it is that we're not doing."
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31 years ago FreeBSD was first released. But here in 2025, searches for the Unix-like FreeBSD OS keep increasing on Google, notes the official FreeBSD blog — and it's at least a two-year trend. Yet after talking to some businesses using (or interested in using) FreeBSD, they sometimes found that because FreeBSD isn't talked about as much, "people think it's dying. This is a clear example of the availability heuristic.
The availability heuristic is a fascinating mental shortcut. It's how product names become verbs and household names. To 'Google' [search], to 'Hoover' [vacuum], to 'Zoom' [video meeting]. They reached a certain tipping point that there was no need to do any more thinking. One just googles , or zooms .
These days, building internet services doesn't require much thought about the underlying systems. With containers and cloud platforms, development has moved far from the hardware. Operating systems aren't top of mind — so people default to what's familiar. And when they do think about the OS, it's usually Linux. But sitting there, quietly powering masses of the internet, without saying boo to a goose, is FreeBSD. And the companies using it? They're not talking about it. Why? Because they don't have to. The simple fact that dawned on me is FreeBSD's gift to us all, yet Achilles heel to itself, is its license.
Unlike the GPL, which requires you to share derivative works, the BSD license doesn't. You can take FreeBSD code, build on it, and never give anything back. This makes it a great foundation for products — but it also means there's little reason for companies to return their contributions... [W]e'd like to appeal to companies using FreeBSD. Talk to us about your use case... We, the FreeBSD Foundation, can be the glue between industry and software and hardware vendors alike.
In the meantime, stay tuned to this blog and the YouTube channel. We have some fantastic content coming up, featuring solutions built on top of FreeBSD and showcasing modern laptops for daily use.
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It's America's biggest box office for a Memorial Day weekend ever, reports Variety.
And it's been more than a decade since this many Americans went to see a movie during a three-day weekend...
Families turned out in force for Disney's live-action "Lilo & Stitch" remake, which collected a blockbuster $145.5 million in its opening weekend and an estimated $183 million through Monday... Meanwhile, older audiences showed up to watch Paramount and Skydance's "Mission: Impossible — The Final Reckoning," which earned a series-best $63 million over the weekend and an estimated $77 million through Monday's holiday. This eighth installment just narrowly beat 2018's "Mission: Impossible — Fallout" ($61 million) to score the top debut of the 29-year-old franchise...
Thanks to effective counterprogramming — and a huge assist by holdovers like "Final Destination Bloodlines," "Thunderbolts*" and "Sinners" — this weekend delivered the best collective Memorial Day weekend haul with $322 million... Cinema operators are rejoicing because Memorial Day is the official launch to summer movie season, which is the most profitable stretch for the movie business. (Historically, the four-month period has accounted for $4 billion, or around 40% of the annual box office.)
It's a huge improvement from last year, which started with a whimper rather than a bang as "Furiosa: A Mad Max Saga" and "Garfield" led the holiday's worst showing in three decades with $132 million collectively. "Every film on the release calendar for the rest of the summer is going to benefit from the momentum created over this monumental record-breaking Memorial weekend in theaters," says senior Comscore analyst Paul Dergarabedian.
But the top-earning movie of the year so far is A Minecraft Movie, which has apparently brought in over $940 million.
Meanwhile, Mission Impossible: The Final Reckoning is one of the most expensive films of all time, according to the article, costing $400 million as Tom Cruise and the movie's director "worked through a pandemic and two strikes, all while grappling with inflation." Though the film received a high "A-" grade on CinemaScore, a movie industry analyst tells Variety that the unexpectedly high production costs means the movie "will be lucky to break-even."
Fun fact: A quarter of a century ago, CmdrTaco reviewed a new movie called Mission: Impossible 2, calling it "a fun movie," but "no Gladiator" and sort of a "James Bond for Dummies" movie.
"The 'Plot' is really just an excuse to show us lots of explosions, car/motorcycle/helicoptor chases..."
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Earlier this month app developer Guilherme Rambo had a warning for iPhone users:
If you try to send an audio message using the Messages app to someone who's also using the Messages app, and that message happens to include the name "Dave and Buster's", the message will never be received.
In case you're wondering, "Dave and Buster's" is the name of a sports bar and restaurant in the United States... [T]he recipient will only see the "dot dot dot" animation for several seconds, and it will then eventually disappear. They will never get the audio message.
"The issue was first spotted on the podcast Search Engine..." according to an article in Fortune:
Rambo's explanation of the curiosity goes like this.
"When you send an audio message using the Messages app, the message includes a transcription of the audio. If you happen to pronounce the name 'Dave and Buster's' as someone would normally pronounce it, almost like it's a single word, the transcription engine on iOS will recognize the brand name and correctly write it as 'Dave & Buster's' (with an ampersand)," he begins. So far, so good." [But ampersands have special meaning in HTML/XHTML...] And, as MacRumors puts it: "The parsing error triggers Apple's BlastDoor Messages feature that protects users from malicious messages that might rely on problematic parsing, so ultimately, the audio message fails to send."
To solve the mystery, Rambo "plugged the recipient device into my Mac and captured the logs right after the device received the problematic message." Their final thoughts...
Since BlastDoor was designed to thwart hacking attempts, which frequently rely on faulty data parsing, it immediately stops what it's doing and just fails. That's what causes the message to get stuck in the "dot dot dot" state, which eventually times out, and the message just disappears. On the surface, this does sound like it could be used to "hack" someone's iPhone via a bad audio message transcription, but in reality what this bug demonstrates is that Apple's BlastDoor mechanism is working as designed.
Many bad parsers would probably accept the incorrectly-formatted XHTML, but that sort of leniency when parsing data formats is often what ends up causing security issues. By being pedantic about the formatting, BlastDoor is protecting the recipient from an exploit that would abuse that type of issue.
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AI's downside for software engineers for now seems to be a change in the quality of their work," reports the New York Times. "Some say it is becoming more routine, less thoughtful and, crucially, much faster paced... The new approach to coding at many companies has, in effect, eliminated much of the time the developer spends reflecting on his or her work."
And Amazon CEO Andy Jassy even recently told shareholders Amazon would "change the norms" for programming by how they used AI.
Those changing norms have not always been eagerly embraced. Three Amazon engineers said managers had increasingly pushed them to use AI in their work over the past year. The engineers said the company had raised output goals [which affect performance reviews] and had become less forgiving about deadlines. It has even encouraged coders to gin up new AI productivity tools at an upcoming hackathon, an internal coding competition. One Amazon engineer said his team was roughly half the size it was last year, but it was expected to produce roughly the same amount of code by using AI.
Other tech companies are moving in the same direction. In a memo to employees in April, the CEO of Shopify, a company that helps entrepreneurs build and manage e-commerce websites, announced that "AI usage is now a baseline expectation" and that the company would "add AI usage questions" to performance reviews. Google recently told employees that it would soon hold a companywide hackathon in which one category would be creating AI tools that could "enhance their overall daily productivity," according to an internal announcement. Winning teams will receive $10,000.
The shift has not been all negative for workers. At Amazon and other companies, managers argue that AI can relieve employees of tedious tasks and enable them to perform more interesting work. Jassy wrote last year that the company had saved "the equivalent of 4,500 developer-years" by using AI to do the thankless work of upgrading old software... As at Microsoft, many Amazon engineers use an AI assistant that suggests lines of code. But the company has more recently rolled out AI tools that can generate large portions of a program on its own. One engineer called the tools "scarily good." The engineers said that many colleagues have been reluctant to use these new tools because they require a lot of double-checking and because the engineers want more control.
"It's more fun to write code than to read code," said Simon Willison, an AI fan who is a longtime programmer and blogger, channelling the objections of other programmers. "If you're told you have to do a code review, it's never a fun part of the job. When you're working with these tools, it's most of the job."
"This shift from writing to reading code can make engineers feel like bystanders in their own jobs," the article points out (adding "The automation of coding has special resonance for Amazon engineers, who have watched their blue-collar counterparts undergo a similar transition..."
"While there is no rush to form a union for coders at Amazon, such a move would not be unheard of. When General Motors workers went on strike in 1936 to demand recognition of their union, the United Auto Workers, it was the dreaded speedup that spurred them on."
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"I am a huge fan of Star Wars," opines an article from the gaming Aftermath. "As every Star Wars fan knows, being a Star Wars fan means you hate Star Wars as much as you love it."
But fortunately there's Going Rogue and Galactic — two tabletop games "inspired" by the Star Wars universe (which just successfully crowdfunded a printed illustrated hardcover edition). They're described as "war among the stars" role-playing games, where members of The Liberation dedicate their lives to the war against The Mandate — "rebels, soldiers, spies, and criminals, or perhaps someone who simply picked up and blaster and said 'enough is enough.'"
The article notes that Going Rogue was a way for the game's designer to work out their issues with Star Wars:
"You can re-skin Going Rogue to be all the original stuff [from Star Wars]. I prefer, at this point, to play it not in canon Star Wars," Levine said. "And also, there are things I hate about canon Star Wars. I think it sucks that the Jedi are child kidnapping, sexless acetics!" In particular Going Rogue is a remix of Rogue One: A Star Wars Story, which depicts the lives of a group of rebel agents who give their lives for the rebellion before the original trilogy. "I love Rogue One and I hate Rogue One," Levine said...
But Going Rogue aims to do more than just allow players to "fix" Star Wars's narrative problems. It also allows players to explore this narrative of rebellion without having to interface with an evil entertainment empire: Disney... Going Rogue is an opportunity for Star Wars fans to make the story of Star Wars their own, including making it more in league with their own politics by taking Disney out of it. "Something I like about tabletop role playing and adaptational tabletop role playing is it says, 'Actually, fuck them. They don't get to own this thing,'" Levine said. "We can't fully divest from the connection to Star Wars. Obviously, we are downstream of it in certain ways. But we are also trying to say, fuck [Disney's] ownership of this thing that you love."
Aftermath adds that the game Going Rogue "intrigued me specifically because it was inspired by Rogue One: A Star Wars Story and Andor — in particular, Going Rogue has a mechanic baked into the game where your character is more or less guaranteed to go out in a blaze of glory for the cause."
[The game's designer says] "I wanted to design the game in a way that, as your character realized that they were willing to voluntarily sacrifice their life for this, you were narratively guaranteed by the mechanics that that sacrifice was worth it. You get to see, after they die, how it transforms the galaxy. I wanted you to get that feeling because you don't get that certainty in real life." They didn't make this game to convince anyone to become a socialist, but instead to create an emotional tool that serves as a mirror for the players' own feelings about what it means to devote your life to a political cause.
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"Do we need publicly-owned social networks to escape Silicon Valley?" asks an opinion piece in Spain's El Pais newspaper.
It argues it's necessary because social media platforms "have consolidated themselves as quasi-monopolies, with a business model that consists of violating our privacy in search of data to sell ads..."
Among the proposals and alternatives to these platforms, the idea of public social media networks has often been mentioned. Imagine, for example, a Twitter for the European Union, or a Facebook managed by media outlets like the BBC. In February, Spanish Prime Minister Pedro Sánchez called for "the development of our own browsers, European public and private social networks and messaging services that use transparent protocols." Former Spanish prime minister José Luis Rodríguez Zapatero — who governed from 2004 until 2011 — and the left-wing Sumar bloc in the Spanish Parliament have also proposed this. And, back in 2021, former British Labour Party leader Jeremy Corbyn made a similar suggestion.
At first glance, this may seem like a good idea: a public platform wouldn't require algorithms — which are designed to stimulate addiction and confrontation — nor would it have to collect private information to sell ads. Such a platform could even facilitate public conversations, as pointed out by James Muldoon, a professor at Essex Business School and author of Platform Socialism: How to Reclaim our Digital Future from Big Tech (2022)... This could be an alternative that would contribute to platform pluralism and ensure we're not dependent on a handful of billionaires. This is especially important at a time when we're increasingly aware that technology isn't neutral and that private platforms respond to both economic and political interests.
There's other possibilities. Further down they write that "it makes much more sense for the state to invest in, or collaborate with, decentralized social media networks based on free and interoperable software" that "allow for the portability of information and content." They even spoke to Cory Doctorow, who they say "proposes that the state cooperate with the software systems, developers, or servers for existing open-source platforms, such as the U.S. network Bluesky or the German firm Mastodon." (Doctorow adds that reclaiming digital independence "is incredibly important, it's incredibly difficult, and it's incredibly urgent."
The article also acknowledges the option of "legislative initiatives — such as antitrust laws, or even stricter regulations than those imposed in Europe — that limit or prevent surveillance capitalism." (Though they also figures showing U.S. tech giants have one of the largest lobbying groups in the EU, with Meta being the top spender...)
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